Arte y Corazón

Last week I had the opportunity to once again visit the Rinconcito de Esperanza to support the MujerArtes Women’s Clay Cooperative. To celebrate their one year anniversary in the the new earth block studio, the Esperanza Center hosted a celebration and week-long art sale.

Various art pieces for sale at the MujerArtes Casita

The mujeres who make up this cooperative use clay as a medium to illustrate historical snapshots of their lives. Each piece is intricately crafted, reflecting the artists’ cultural identity within her work. Since 1995, this program has welcomed a very diverse group of women to produce their art. These women commit to a certain number of studio hours per week, where they create artwork to sell to the community through various outreach programs. Although you wouldn’t be able to tell by looking at the artwork, most of these women are art novices, learning their craft alongside one another with the aid of an instructor and studio coordinator. Together, these women form a community, empowering each other through their shared passion of arte y cultura.

Calavera crafted from clay

My fiancé and I scanned the rows of clay artwork, searching for our perfect match. I like to collect tiles so I selected a Selena tile for myself and picked out an ornamental la Virgen de Guadalupe, or Virgin Mary,  for my grandma. My grandma was a migrant worker, as was my grandfather and their seven children. They traveled throughout the year, staying where the work was. I love to hear her stories about the past. My life is so vastly different from that of my grandma but through her stories about her life as a young girl, a mother, a migrant worker, and everything in between, I feel deeply connected to her. I went to visit my grandma later that day to give her la Virgen de Guadalupe I purchased for her at the art sale. She absolutely loved the gift and told me about the significance of the flowers that adorned the feet of la Virgen, the patron saint of Mexico.

Various la Virgen de Guadalupe artistic renderings at MujerArtes Casita

The flowers are symbolic, each kind specifying a virtue that the Virgin Mary exemplifies. These flowers include “the rose (Rosa canina), which was adopted as the emblem of Mary’s love of God; the white lily (Lilium candidum, Madonna lily), her purity; the myrtle (Myrtus communis), her virginity; and the marigold (Calendula officinalis), her heavenly glory.

As an aspiring Public Historian, I am inspired by the MujerArtes. It is wonderful to see their culture embraced and celebrated through transformative works of art. By creating a tangible piece of their past, they are helping to preserve it and spurring a continual conversation. By gifting the Virgin Mary shrine to my grandma, I was able to hear a story from her and learn something new. I am thankful to the Women’s Clay Cooperative for giving me a gift that opened up this conversation. I hope to capture the spirit of the MujerArtes in my professional career.

To learn more about these amazing and talented artists, take a look at their profiles here: MujerArtes Artists

Westside Historians in The Making

Photo by Gateway Photography
Please click here to learn more about Norbert “Geremy” Landin

This evening the students from the St. Mary’s University were welcomed to one of the sites of the Esperanza Center in San Antonio Texas. The Director, Ms. Graciela Sanchez, quickly grasped the attention of all 10 students present.

“The people of Esperanza dream of a world where everyone has civil rights and economic justice, where the environment is cared for, where cultures are honored and communities are safe.”

-Graciela Sanchez; Director of Esperanza Peace and Justice Center

This part of their mission and vision is truly shown in the work that is done in and around the Rinconcito Center. In the past, I know that several of the students in this program (including myself) have been to museums and art exhibits. During a recent museum course there was talk about the different places that have been visited but I don’t quite think that this experience matches any of the ones that were mentioned in the past.

When entering the Rinconcito Center there is a drastic difference in what we are used to seeing in homes and apartments and visitors can quickly delve into the history from the time of the “Casa De Cuentos and Casita.” The center has owned the building and property at 816 Colorado St. since 2001 and since then, great work in preserving the housing and developments that surround the area has been done in hopes of saving that history that as Sanchez said, “is gone once they’re gone.”

Photo taken by Gateway Photography
As the students travel through the areas at the center, different pieces catch the eyes of future public historians and Director of Public History at St. Mary’s (Dr. Lindsey Wieck)

The students continued their walk down the street with a main focus on the structures and projects following the path towards The Guadalupe Center for cultural arts. “Fotohistorias del Westside” mark the path along the South side of the street lining the fence of J.T. Brackenridge Elementary School (a school named after Confederate veteran and bank president, JT Brackenridge, who was born in Warwick County, Indiana and passed in 1906). This school is one of San Antonio ISD’s 90 campuses.

Virgen de Guadalupe vela located next to the Guadalupe Center for Cultural Arts

The tour ended at the Plaza Guadalupe over at 1327 Guadalupe St. but the conversation did not. Conversations on the way back to the starting point of the tour led to ideas of projects with different shops, councilmen, and locals about oral history and community activism.

Sanchez is passionate about the work that she does and was excited to show us the public history aspects involved in her work. Having visited places on the westside and knowing the stigmas and negative energy that is posed towards the people and areas surrounding made it easier to want to learn and absorb as much information as possible. The connection that we have made as a course and cohort is tremendous and will continue to be a great source of energy and program development for public history at St. Mary’s and in San Antonio in general.

 

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